CHRISTINE LJUBANOVIC
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Colours/Pigments/Patterns/Scales »The Spirit Line«KEMET-EGYPT (Wall) Leporello (3 parts)1. Parchment (ready made-Cairo 1991) 2. Historical Egyptian Blue (blue copper silicate) 3. Historical Egyptian Green (copper glas) on paper (BFK Rives) 46,5 cm in diameter, original pattern-paintings, Kremer Pigments, signed by the artist, in a slip case. Paris, 2008 Edition of 3 (each edition different in diameter size) |
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impressitLimited Edition (100) x 40 printsnumbered 1/50 to 50/50 and I/L to L/L, from 1/50 to 20/50 double spread paper size: 305 x 315 mm, double size: 305 x 630 mm Papers: Arches, BFK Rives, Graphia Sicars, Dover, Duchêne, Fabriano, Japanese Mulberry, Gampi, Kanze, Kitakata, Goya, Kozo, Mitsumata, Obanmisugami, Chinese Mulberry, Hahnemühle, Magnani/Pescia, Moulin de Larroque, Rivoli, Scheufelen, Amate (Papyrus) and other papers. Christine Ljubanovic in collaboration with 1.A Silk-screen print Alfredo Arcay, Paris 1984 2.B Lithograph Tamarind Institute, Albuquerque 1985 3.C Aquatint, etching, Aldo Crommelynck, Paris 1985 – 1991 4.D Computer print, Jamil Kachoukh, Paris 1990 5.D Silk-screen print, hot stamping with metal foil, Claudio Barbato, Venice/Spinea 1986 – 1992 6.E Lithograph, Michel Casse, Paris 1983 7.F Etching, drypoint, Enzio Queti, Urbino 1983 8.G Aquatint, sugar lift, chine collé, Stamperia GF, Gian-Franco Bravi, Urbino 1985 9.H Woodcut, chop print, Central Institute of Fine Arts, Beijing 1986 10.I Lithograph, transfer-lithofina-etching, Studio Corona, Walter Raffaelli / Gian-Carlo Bertuccioli, Montelabbate/Pesaro 1982 – 1983. 11.J Hand-set letterpress, collage, Public Printers, Mexico City 1990 12.J Collotype, Imprimerie Arte, Paris 1991 13.J Antique woodcut, frame lithography, stamped, Atelier Adrien Maeght, Erika Greenberg, Paris 1991 – 1992 14.K Hand-set letterpress, Imprimerie Institut Francais d'Archeologie Orientale, Cairo 1991 – Imprimerie Nationale, Paris 1992 15.K Diffusion transfer process, Photographie & Applications, Paris 1992 16.K Cold embossing, Christian Paput, Paris 1991 – 1992 17. L Lithograph, Studio Corona, Walter Raffaelli, Montelabbate/Pesaro 1984 18.M +19. M Lithograph, photogravure Studio Corona, Walter Raffaelli, Montellabate/Pesaro 1989 – 1990 20.M Offset, Jeff Mphakati, Pretoria/Mamelodi/Paris 1992 21.N Mineral pigments, pochoir, cut-outs, Hirtl Claudia, Tokyo 1988 22.O + 23.O Digital imaging systems, offset print, Mannesmann Scangraphic, Hamburg 24.P Hand-set letterpress, Pervaya Obratsovaya Tipografia (MPO), Moscow 1989 25.P Papyrus Aly Abd El Baky Aly, Cairo 1991 26. Q Photocopy, stamp, collage, embossing, Herbert Maly / Christina Depian, Paris, Vienna, Wiltz/Luxembourg 1987 – 1990 27.R Silk-screen print, trial proofs, Rupert Jason Smith, New York 1985 28.S Lithograph, embossing, Studio Corona, Sanzio Vetri, Montelabbate/Pesaro 1984 29.S Monotype (lithograph) and collage, Studio Corona, Walter Raffaelli / Sanzio Vetri, Montelabbate/Pesaro 1991 30.T Lithograph Tamarind Institute, Albuquerque 1985 31.T Silver emulsion, Photographie & Applications, Paris 1984 32.U Mezzotint, Renato Bruscaglia / Enzio Queti, Urbino 1989 – 1990 33.V Hand-set letterpress, Fequet et Baudier / Dutrou-Sabary, Paris 1984 34 W Hand-set letterpress, Imprimerie Nationale, Paris 1991 35.X Amate-paper-sheet-folded Enrique Santos Reyes Xotenco, San Pablito Pahuatlan, Puebla, Mexico 1991 36.X Laser Copy, Joaquin Galarza, Paris 1991, Raggl Supertype, Innsbruck/Landeck 1992 37.X Collograph, linocut, May Angeli, Paris 1992 38.X Monotype (lithograph), Studio Corona, Walter Raffaelli, Montelabbate/Pesaro 1984 39.Y Woodcut, Toshi Yoshida, Tokyo 1988 40.Z Intaglio, sugarlift, Kurt Zein, Vienna 1987 – 1989 |
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